Morris Louis by Charles W Millard PDF

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By Charles W Millard

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And, of course, some monsters, like the scorpion big enough to eat Mexico City, are magnifications of creatures and crawling things already ajudged impure and interstitial in the culture. Categorical incompleteness is also a standard feature of the monsters of horror; ghosts and zombies frequently come without eyes, arms, legs, or skin, or they are in some advanced state of disintegration. , de Maupassant’s “The Hand” and “The Withered Hand,” Le Fanu’s “The Narrative of a Ghost of a Hand,” Golding’s “The Call of the Hand,” Conan Doyle’s “The Brown Hand,” Nerval’s “The Enchanted Hand,” Dreiser’s “The Hand,” William Harvey’s “The Beast With Five Fingers” and so on.

They can be used to supply paradigmatic examples for the application of the impurity clause as well as rough guiding principles for isolating impurity—such as that of categorical transgression. Furthermore, Douglas’s theory of impurity can be used by scholars of horror to identify some of the pertinent features of the monsters in the stories they study. That is, given a monster in a horror story, the scholar can ask in what ways it is categorically interstitial, contradictory (in Douglas’s sense), incomplete, and/or formless.

For the concept of horror, as I am using it, is descriptive rather than prescriptive. However, even if I have succeeded above in deflecting the major types of counterexamples, the very procedure of concocting a definition of art-horror and testing it against counter-instances may seem dubious to many readers.

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Morris Louis by Charles W Millard

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