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By Philip Troutman

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This painting and the Adoration of the Shepherds arc higher in proportion to their width than the corresponding paintings in Santo Domingo cl Antiguo. Again El Greco has created one of the greatest subject by El Plate xxiii (312x169 The Crucifixion. Oil on canvas. ). Signed. 1596 — Museo 1600. in. del Prado, Madrid. Christ on the Cross, at the moment of expiration, with el the Virgin and Saint John, and at the foot of the Cross, interpretations of the subject in art. the Magdalene. Probably originally above the Annuncia- be compared with the great masterpiece by Piero della tion, in the retable of the Colegio of Dona Maria.

Signed, c. 1595. Greco would have been aware of the grand scries Museo El Saint 65 --44 • del Prado, Madrid. of pairs of Saints painted by Navarrete for the chapels 33 of the Church of the by the latter's Escorial, the death in 1579. commission interrupted From the time of the Burial Orgaz,El Greco began to create his own images of the different Saints. Once a pattern was created, of the Count of he kept closely to The it. two separate position of spiritual significance — pairing of Saints — the juxta- personalities, with their different accentuates the individual charac- tion of the Shepherds and the Baptism of Christ, two paintings of the same size, on the left and right of the above the Annunciation; Annunciation; the Crucifixion and the Resurrection and Pentecost, another pair of idensize, flanking the Crucifixion (the whole forming tical known in the Escorial).

Signed, c. 1595. Greco would have been aware of the grand scries Museo El Saint 65 --44 • del Prado, Madrid. of pairs of Saints painted by Navarrete for the chapels 33 of the Church of the by the latter's Escorial, the death in 1579. commission interrupted From the time of the Burial Orgaz,El Greco began to create his own images of the different Saints. Once a pattern was created, of the Count of he kept closely to The it. two separate position of spiritual significance — pairing of Saints — the juxta- personalities, with their different accentuates the individual charac- tion of the Shepherds and the Baptism of Christ, two paintings of the same size, on the left and right of the above the Annunciation; Annunciation; the Crucifixion and the Resurrection and Pentecost, another pair of idensize, flanking the Crucifixion (the whole forming tical known in the Escorial).

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El Greco by Philip Troutman


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